The V&A’s Asian collection include objects from East Asia, South and South-East Asia, and the Middle East. They are rich in a broad range of artistic media and illustrate many different aspects of religious, courtly and everyday life, from textiles, paintings and sculpture to jewellery, photography and ceramics.

Read about our latest acquisitions, research and behind the scenes work on this incredible collection.

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Chinese New Year 2017: A New Hang of Chinese Paintings in the T.T. Tsui Gallery

Tonight over a billion people will celebrate the eve of the Chinese New Year. Many will have travelled back to their hometowns to be with their families, in humanity’s largest seasonal migration. Celebrations are also taking place across the world among the Chinese diaspora. This global host of revellers will be turned out in new […]

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Consumption at Christmas: Hong Hao’s ‘My Things No.1’

With only five sleeps until Christmas, things are in full festive swing at the V&A. The main entrance has been given a period makeover by StudioXAG’s Victoriana ironwork Christmas tree, the V&A Shop has come through with the perfect blend of class and culture for my auntie Karalyn’s Christmas card, and the Benugo cafe is […]

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Halloween and Divination

Halloween as we know it today came to us from Irish and North American traditions. Besides from making turnip and pumpkin lanterns, dressing up in scary costumes and trick-or-treating, one of the popular festive activities previously associated with Halloween in Ireland was divination rituals and fortune-telling practices carried out as part of the celebration. These practices […]

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GUEST POST: My Qur’an pendant from Syria

Victor Borges is a Senior Sculpture Conservator at the V&A. One day when I was delivering an object to Victor in Sculpture Conservation I noticed he was wearing a chain full of small and curious pendants. Looking at it closer, I suddenly noticed a beautiful small gold pendant in the shape of a Qur’an with Arabic inscriptions. […]

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British Ceramics in Bangkok

During a recent study trip to mainland Southeast Asia researching the local textile and ceramic traditions, twice I came across some 19th-century European ceramics in Bangkok. First at the Southeast Asian Ceramics Museum at Bangkok University where I had arranged to view some foreign trade ceramics found in Thailand. To my surprise the Museum holds […]

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The Way that Can Be Spoken: Calligraphic Performance by Wang Dongling

Wang Dongling writing out the text of his calligraphic performance

On Wednesday night London Craft Week welcomed the accomplished Chinese calligrapher Wang Dongling 王冬齡 to their glamorous launch party at the V&A. Professor Wang, who teaches at the China Academy of Art in Hangzhou, was invited to this celebration of makers and making to perform before a live audience. He took the stage with a […]

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The Moroccan Fashion Project: an insight into the acquisition process

Museum no. ME.5:1 to 4- 2015 © Victoria and Albert Museum, London

Amongst the many exciting tasks that I have to undertake as an assistant curator in the Middle East section of the Asian Department is the responsibility of dealing with the logistics of all new acquisitions. Every year, the V&A acquires hundreds of objects from different people all over the world. Last year, amongst these acquisitions […]

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Gold, lacquer and mirrors: a figure of the Buddha from Burma

The mask was carved separately and then held in place with nails.

By Adriana Francescutto and Victor Borges, Sculpture Conservation. Here in the sculpture conservation studio, we have recently begun the treatment of an 18th to early 19th century standing figure of the Buddha. It came originally from the Kyaik Than Lan pagoda in Moulmein, Burma. It depicts the Buddha standing on a lotus bud, in a […]

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‘Nu’ Shabtis – Liberation

Syrian archaeologist and ceramic artist, Zahed Taj-Eddin, has recreated the ancient Egyptian technology of faience – an artificial ceramic body made using crushed quartz, and glazed by different methods using mineral-based glazing powders which bond with the body during the firing process. In particular, a copper compound creates the distinctive turquoise colour that we most […]

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Designing the Damascus Room display

By Kate Beaumont, exhibition designer I enjoyed working with Mariam on the Damascus Room case. Despite the relatively short amount of time to design and deliver the project, the design process itself was reasonably straight forward, and helped by Mariam’s clear direction in terms of objects and approximate layout. The aim was to reuse and […]

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