- Delivery & Returns
- About custom prints
- UK standard delivery £5 (FREE on orders £35 and over*)
- Europe standard delivery £20
- Rest of the world standard delivery £30
*UK only. Excludes custom prints. Does not apply to exhibition tickets, events, courses and Memberships.
Find out more about delivery.
RETURNSIf you are not completely satisfied with your purchase, most items are eligible for a full refund when returned within 28 days.
Find out more about returns and exceptions that apply.
We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.
Acid free, extra thick smooth white mount board with a white core.
Please note that a copyright line is included under the image.
Clear acrylic. We use clear acrylic glazing for safety and longevity.
Finished and framed by hand in Sussex by skilled craftsmen using responsibly sourced solid wood mouldings. The finished product has a taped back and is supplied ready to hang.
Each print is made-to-order and carefully packaged to ensure safe transportation.
Prints and frames handmade in England
V&A Custom Prints are high quality art prints of images from across the V&A collections. From Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A. The process is simple: select an image, choose your preferred size and frame and then place your order. Each artwork is giclée printed using archival quality inks. Made in England on the Sussex coast, our prints are hand finished and framed by skilled craftsmen using responsibly sourced solid wood mouldings and carefully packaged and delivered directly to your door.
Owen Jones (1809-74) was a versatile architect and designer and one of the most influential design theorists of the 19th century. Through his work at the 1851 Great Exhibition he was also a key figure in the foundation of the Victoria and Albert Museum. Two hundred years after his birth Jones's theories on flat patterning and ornament continue to resonate. His bold theories on the use of colour geometry and abstraction formed the basis for Jones's seminal publication 'The Grammar of Ornament' a design sourcebook that is still in print today. First published in 1856 this ground breaking design manual gathered together the finest examples of ornament from a wide variety of cultures and historical period. He illustrated his design propositions by drawing on a diverse range of source material including metalwork textiles ceramics manuscripts and woodwork. Jones wished to liberate these examples of ornament from their original context and felt strongly that designers should not simply copy designs but instead try to understand the underlying principles held within them.