John Constable - The Making of a Master (hardback)
Out of Stock
- Details
- Delivery & Returns
The remarkable naturalism of John Constable’s paintings has always been acknowledged, and his ‘vivid and timeless’ (as he called them) oil sketches have been celebrated since the 1890s as precursors of Impressionism, modernism and photographic composition. He remains a powerful influence on contemporary artists, and was famously Lucian Freud’s favourite painter. He was also hailed in 1866 as the first painter whose ‘art is purely and thoroughly English’, and his studio oil paintings have helped to define our idea of the English countryside.
Published to accompany a major V&A exhibition, this book evaluates these aspects of Constable’s work, placing the artist’s naturalism and studio work in the context of his wider practice – in particular his talent for copying, and extensive print collection. A companion volume to John Constable: Oil Sketches from the Victoria and Albert Museum (page6, V&A, 2011), this book shows how the artist’s reverence for the Old Masters is not incompatible with his revolutionary handling of paint: where others competed with the Masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism.
Delivery
Our standard delivery charges and estimated timescales are as follows. Selected product exceptions apply; see product details. International deliveries may also be subject to customs fees or taxes upon arrival, which are your responsibility.
Returns
If you have any concerns, most items are eligible for a full refund within 28 days of purchase. Exceptions apply, such as perishable items; customised or personalised items; and items with a broken hygiene seal.
Mark Evans
Mark Evans is the senior curator of paintings at the Victoria and Albert Museum. He has written extensively on painting and is the author of numerous books on art, including "John Constable: The Making of a Master." Stefan Weppelmann is director of the Kunsthistorisches Museum, Vienna.