About the Asian collections
The department cares for the Victoria and Albert Museum’s Asian collections. They include work from the following countries: Afghanistan, Bangladesh, Bhutan, Cambodia, China, India, Indonesia, Japan, Korea, Laos, Malaysia, Myanmar (Burma), Nepal, Pakistan, Sikkim, Sri Lanka, Thailand and Vietnam. The department also includes collections from the Middle East and North Africa, hitherto held by the departments that collect Western art. This will allow their significance to be fully appreciated for the first time.
The creation of the Clothworkers' Centre for Textiles and Fashion Study and Conservation at Blythe House will necessitate a major move of stores containing East Asian, South and South-East Asian and Middle Eastern material. Therefore from January to August 2011 parts of the Asian collection in all media will not be available for viewing; no Asian textiles will be accessible from October 2011 until the opening of the Clothworkers' Centre in summer 2013, and South Asian paintings will not be accessible between August and December 2012. A wide range of textiles will continue to be displayed in the Chinese, Japanese, Korean, South Asian and Islamic Middle East galleries.
The Asian department will continue to offer limited appointments for material not affected by this project, but visitors should be aware that they may have to wait longer than usual for an appointment.
Read more about the Clothworkers' Centre
Enquiries about the Asia Collections: email@example.com
The V&A holds the national collections of East Asian furniture and textiles, while its collections of ceramics, export art, Japanese prints and weapons, inro and lacquer are among the finest in the Western world. Other strengths are in metalwork, carvings and 20th and 21st century art and craft.
South and South-East Asia
Chronologically, it extends from the Indus Valley period (about 2000 BC) to the present day. Geographically, it spreads from Afghanistan to Indonesia, though the majority of the material is from the Indian subcontinent. Much of it was acquired in the 19th century, often as an example of contemporary arts and crafts. This has given the collection a unique range of everyday artefacts (textiles, utensils, tools, folk paintings), as well as courtly arts such as Mughal miniatures or fine temple sculptures.
The greatest strengths of the collection are in Mughal miniature paintings and decorative arts, especially jades and rock crystal; Indian textiles, including those made for the European and South-East Asian markets; Indian sculpture, especially bronzes; Indian furniture for the Western market; paintings from the Punjab Hill courts; 19th century photographs of India and Burmese decorative arts. Other substantial holdings include jewellery, ceramics, glass, lacquerware, basketry and woodwork from throughout South and South-East Asia and the Himalayas, Tibetan 'tangkas', and Indian film posters and ephemera. The collection of contemporary art from India and Pakistan includes significant works by several major artists.
The collection of Mamluk carved wood is one of the best outside Egypt, and there are strong holdings of later Persian carved and lacquered wares. The metalwork collection, which includes vessels, jewellery, and arms and armour, is also one of the most important in the world. The textiles collection is of equally substantial range and importance. It includes early woven silks, embroideries and carpets, most famously the huge 16th century carpet from the shrine at Ardabil in Iran. There are smaller collections of ivory, rock crystal, stone, books, manuscripts, calligraphy and other works on paper.