Name: Professor Sandra Kemp firstname.lastname@example.org
Role: Senior Research Fellow
As a writer and curator, my research is located within futures studies in relation to visual and material cultures. My current work is on the historical role of museums in the imagination of the future and how changing ideas and movements are expressed through the history of collections. My research includes both the historical dynamics behind the construction of futures knowledge, and the current methods of futures construction in a range of institutions.
I currently combine Senior Research Fellowships at the V&A and Imperial College London and have previously worked at the Universities of Oxford and Glasgow, the Royal College of Art, the Science Museum and the National Portrait Gallery, as well as the Smithsonian Institution in Washington DC. My major exhibition, Future Face: Image, Identity, Innovation, funded by the Wellcome Trust at the London Science Museum, explored the history of the face as a 3-D bar-code of identity and what faces might be like in the future.
My V&A role has included leading research and seminars on cross-sector future expertise, funded by an AHRC exploratory award, including a series of podcasts. I am developing international research collaboration between museums and galleries, universities, industry and government agencies both on how such organisations use the past to shape ideas and provoke debate about the future, and how we might engage wider publics in these debates.
I am also co-ordinating V&A research in partnership with the Bard Graduate Center, New York, for an exhibition and related publications on John Lockwood Kipling. I have British Council funding for related research into the archives and collections of the Lahore Museum, Pakistan, and to organise a workshop at the Lahore Museum and symposium at the National College of Arts, Lahore in 2016. I am currently organising an international conference at the V&A to accompany the exhibition in 2017.
For the past three years, my research has focussed on three aspects of the exhibition and its related publications: Lockwood Kipling’s curatorship of the Lahore Museum, his journalism over 25 years in India, and his influence on his son, the short story writer and poet, Rudyard Kipling.
Future Face, sponsored by the British Council Taiwan and CIME, at the National Museum of Natural Science, Taichung and the National Museum of Science and Technology, Kaohsiung (2006-7)
Future Face, a Wellcome Trust Exhibition at the London Science Museum (2005-6)
Research RCA: Art, Design and Communication, the first ever Research Exhibition at the RCA (2007)
Selected Published Writings/ Papers
‘The Research Environment’ in Art and Research: Can Artists be Researchers? (Verlag/Wien, 2011), eds. Janet Ritterman, Gerald Bast and Jurgen Mittelstrab, 153-167
‘Shaping the Human: the New Aesthetic’ in Human Futures: Art in an Age of Uncertainty (FACT and Liverpool University Press, 2009), ed. Andy Miah, 82-99
‘Face to Face’ in Engaging Science. Thoughts, deeds, analysis and action (Wellcome Trust, 2006), ed. John Turney, 4-7
‘Technologies of the Face’ in Digital Desires ( I.B.Taurus, 2000)
‘Reading Difficulties’ in Analysing Performance (Manchester University Press, 1996), ed. Patrick Campbell, 153-174
‘“Let’s Watch a Little how he dances”: Performing Cultural Studies’ in Feminist Cultural Studies (Cheltenham, Edward Elgar, 1995), ed. Terry Lovell, 327-341
Books and exhibition catalogues
with Charlotte Mitchell and David Trotter, The Oxford Companion to Edwardian Fiction (Oxford University Press, Online Reference Library, 2012)
Research RCA (Royal College of Art, 2007)
Future Face (National Science and Technology Museum, 2006)
Future Face: Image, Identity, Innovation (Profile Books, 2004)
with Judith Squires, Feminisms (Oxford University Press, 1998)
with Lisa Lewis, Writings on Writing: Rudyard Kipling (Cambridge University Press, 1996)
with Paola Bono, The Lonely Mirror: Italian Perspectives on Feminist Theory (Routledge, 1993).
with Paola Bono, Italian Feminist Thought (Blackwell, 1991)
Kipling’s Hidden Narratives (Blackwell, 1988)
new edition and introduction to Rudyard Kipling’s Debits and Credits (Penguin, 1996)
new edition and introduction to Virginia Woolf’s Short Stories (Penguin, 1994)
new edition and introduction Rudyard Kipling, Selected Stories (Dent Everyman, 1987)
‘Facing up to the Future’, New Scientist (Special Edition to accompany the Future Face exhibition at the London Science Museum, Oct 2004)
‘The Archive on which the Sun never Sets’, History of the Human Sciences (November 1998) 11, 4, 33-4
‘“Myra, Myra on the Wall”: The Fascination of Faces’, Critical Quarterly (Spring 1998), 40, 1, 38- 69
with Lisa Lewis, ‘Le Mot Essentiel – Kipling Critique Litteraire’, Europe (Special Issue on Rudyard Kipling, May 1997), 78-88
‘Eccentricci Equilibri”, DWF [donnawomanfemme] (Oct-Dec 1995), 50-56—‘A Literary Autopsy’, European Journal of Women’s Studies (Autumn 1994), 1, 2, 275-277—‘Painting as Philosophy’, New Formations (Spring 1993), 19, 149-151
‘Media Representations of Visual Art’, Screen 34:1 (Spring 1993), 94-8
'Enigmatic Clarity: Lawrence. Degas and Modernism', Critical Quarterly (1993), 35, 2, 3-18.
'Beyond the Word/Image Opposition' Journal of Literature and Theology (1993), 7, 3, 302-9
‘The Films of Yvonne Rainer’, Screen 33:1 (Spring 1992), 117-121
‘Conflicting Choreographies: Derrida and Dance’, New Formations (Spring 1993), 19, 91-102
‘”Let’s watch a little how he dances” – Performing Cultural Studies’, Critical Quarterly (1992) 34, 1, 36-50; ISSN 0011-1562. Anthologised in Feminist Cultural Studies, ed. Terry Lovell.
‘“But how describe the world seen without a self?” Feminism, Fiction and Modernism’ , Critical Quarterly (1990), 32, 1, 99-118; ISSN 0011 1562. Anthologised in Virginia Woolf: Critical Assessments, ed. Eleanor McNee