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FUTURE EXHIBITIONS & DISPLAYS

Quilts 1700-2010

Supported by the Friends of the V&A

With further support from Coats Crafts and

the Coats Foundation Trust

20 March - 4 July 2010

‘At the End of the Day’, a displacement flag, Natasha Kerr, 2007. Museum no. T.43-2008

‘At the End of the Day’, a displacement flag, Natasha Kerr, 2007. Museum no. T.43-2008


£10 Adults
£ 8 Seniors
£ 6 Students, 12-17 yrs, ES40 Holders
Free to V&A Members. For information on how to become a member,  click here.

Book tickets

Groups (10+)

Please call +44 (0)20 7942 2211 for group prices and to book. Special talks and tours are available to complement the exhibition. Read more here,  call +44 (0)20 7942 2764 or email groups@vam.ac.uk

The V&A will present its first ever exhibition of British quilts, with examples dating from 1700 to the present day - a unique opportunity to view the V&A's unseen quilt collection as well as key national loans. Earliest examples include a sumptuous silk and velvet bedcover, with an oral narrative that links it to King Charles II's visit to an Exeter manor house in the late 17th century. Recent examples will include works by leading artists such as Grayson Perry and Tracey Emin and commissions for the exhibition by a number of contemporary artists including Sue Stockwell and Caren Garfen.

Bishops Court quilt, Unknown, 1690-1700. Museum no. T.201-1984

Bishops Court quilt, Unknown, 1690-1700. Museum no. T.201-1984 (click image for larger version)

The curators have unravelled some of the complex personal narratives and broader historical events documented in the quilts. Examples by both named and unnamed makers will be shown with objects relating to their subject matter and makers including paintings and prints, as well as needlework tools and personal keepsakes. One example is a cot quilt made at Deal castle, displayed for the first time alongside the maker's diary and portraits of the two grandchildren who slept under it. There will also be bedcovers that commemorate the lives of prominent figures including Admiral Lord Nelson, Charles II and the Duke of Wellington and important events such as the coronation of Queen Victoria and the Duke of Wellington's battle at Vittoria. The exhibition will end with Tracey Emin's To Meet My Past (2002), a confessional installation which follows the tradition of quilts used as vessels for personal and collective memories.

The exhibition will be presented chronologically and thematically. The contemporary works will be woven throughout following the themes:
The Domestic Landscape; Private Thoughts, Public Debates; British
Eccentricity; Making a Living and Memory and Memorial. Together the
quilts document love, marriage, births, deaths, periods of intense
patriotic fervour, regional and national identity and developments
in taste and fashion.

Rajah Quilt, Made by convicts on board HMS Rajah, 1841, National Gallery of Australia, Canberra

Rajah Quilt, Made by convicts on board HMS Rajah, 1841, National Gallery of Australia, Canberra (click image for larger version)

Alongside the V&A's quilts will be loans from museums around the country including Ulster Folk and Transport Museum and the Glasgow Museums. On loan for the very first time from the National Gallery of Australia will be the Rajah quilt, made in 1841 by women convicts aboard the HMS Rajah as they were being transported to Van Diemen's Land (present day Tasmania). The women used sewing provisions donated by Elizabeth Fry's social reform initiative to create what is now the only transportation quilt in a national collection, never before shown outside Australia. The exhibition will celebrate the astonishing vision involved in the design and making of each quilt.

Frequently Asked Questions

Keep up-to-date with the behind-the-scenes preparation for the exhibition by visiting the curator's blog .

What are the opening times for the exhibition?

10.00 to 17.45 daily (last ticket sold 16:45, last entry 17.00)
10.00 to 22.00 Fridays (last ticket sold 20.45, last entry 21.00)

Set of Chintz bed hangings (detail), 1730-50. Museum no. 242-1908.

Set of Chintz bed hangings (detail), 1730-50. Museum no. 242-1908. (click image for larger version)

Will photography (including for personal use) be permitted?

We are not able to allow photography in the temporary exhibitions due to copyright restrictions. The V&A is creating a special Quilts microsite with full details and images of each quilt in the exhibition. There will also be a fully illustrated catalogue in the main exhibition publication.

How much notice is required for a visit?

None, the museum is free to enter and you can buy your exhibition ticket upon arrival. However, we strongly recommend you book in advance online  or by calling 0844 209 1770 (booking fee applies). 

How early can I see the exhibition?

The exhibition will be open daily to the public from 20 March 2010 until 4 July 2010. There will be a preview day on 19 March 2010 for V&A Members. Find out how to become a V&A member here . 

How many quilts will be in the exhibition?

The exhibition will show 65 beautifully crafted quilts, predominantly
from the V&A's own collection but also including a number of important
loans and new works by contemporary artists, many of which have been
commissioned especially for the show.

Coverlet (detail), Ann West, U.K. 1820. Museum no. T.23-2007

Coverlet (detail), Ann West, U.K. 1820. Museum no. T.23-2007 (click image for larger version)

Which museums have loaned quilts for the exhibition?

We have secured a number of loans from regional UK museums
including Geffrye Museum, Imperial War Museum, Upton House,
Rougemont House, Forge Mill Needle Museum, Glasgow Museums,
St Fagan's: National History Museum, Beamish Museum, Ulster Folk
& Transport Museum; as well as an international loan from the National Gallery of Australia and several loans from private collections.

How will you present the quilts?

The exhibition is arranged in five sections, each of which has its own distinct feel evoking the context and stories associated with the quilts. The five sections are underpinned by a loose chronology. Contemporary pieces will be embedded within the five sections in an organic way, inviting links between historic examples and the work of artists practicing today.

The exhibition will take a contemporary and innovative approach to the
design of the space. Many of the quilts will be wall-mounted, but in
some instances, bed-sized mounts will be used to showcase the
complex and highly creative designs, enabling visitors to appreciate
these objects as they were intended to be seen.

George III reviewing the troops (detail), Unknown maker, 1803–1805. Museum no. T.9-1962.

George III reviewing the troops (detail), Unknown maker, 1803–1805. Museum no. T.9-1962. (click image for larger version)

How much information on each quilt will be available?

There will be an introduction and timeline at the start of the exhibition
with section headings to outline the key periods and themes. All objects will have a short description and information detailing materials, maker (where known), date and context. In addition, there will be extended caption information for a number of highlight objects exploring their unique narrative.

This information will also be available online, and in greater detail in
the exhibition book. For those particularly interested in materials and
techniques there will be a handheld multimedia guide available for a
small cost, enabling visitors to study the quilts in depth using audio,
video and close up images.

 

Right to Life, Grayson Perry, 1998, © The Artist/Victoria Miro Gallery

Right to Life, Grayson Perry, 1998, © The Artist/Victoria Miro Gallery (click image for larger version)

When will the exhibition book be available? What is in it?

Quilts 1700-2010 - Hidden Histories, Untold Stories will be published
in March 2010 to coincide with the exhibition. Costing £35, the
comprehensive book is 240 pages. It includes essays by leading
historians and is illustrated with new photography documenting each
of the objects in the exhibition. The book editor and curator of the
exhibition is Sue Prichard, curator of contemporary textiles at the V&A.

The V&A will also be publishing Patchwork for Beginners in March,
also edited by Sue Prichard, an introductory guide to creating
patchwork from inspiration to finished product. A section on the basic tools and techniques is followed by five simple projects. Each chapter is beautifully photographed with technical illustrations and templates.
The 64-page publication will cost £7.99.

To Meet My Past, Tracey Emin, 2002, The Saatchi Gallery, London

To Meet My Past, Tracey Emin, 2002, The Saatchi Gallery, London (click image for larger version)

What other merchandise will you have available?

The V&A Shop, in conjunction with Liberty Art Fabrics, will be producing a limited edition range of fabrics featuring designs from quilts in the exhibition. You can receive further information by emailing
customerservice@vandashop.co.uk with 'V&A Quilting Fabric' in the
subject line.  More details on further merchandise will be confirmed in spring 2010.

When are details on the symposium being announced?

A two-day conference will be held on 11 and 12 June 2010. See the call for papers to find out more about speaking at the conference. The emphasis will be on interdisciplinary, unpublished research. A conference programme will be published in March 2010. There will also be a full programme of events, including practice-led workshops and talks.