Thumbnail of Conservation case studies: A medieval tabernacle from Cologne

Conservation case studies: A medieval tabernacle from Cologne

This object, made around 1180, has been a highlight of the V&A's medieval collection since its acquisition in 1861. A recent conservation and research project in preparation for its display in the Medieval and Renaissance galleries in 2009 has brought to light new information about the container and given it a new function and name.

Thumbnail of The Conservation of a Fourteenth Century Chasuble

The Conservation of a Fourteenth Century Chasuble

Chasubles are worn by officiating priests during the celebration of mass; the  fabric for this chasuble was woven in Lucca, Italy and dates from about 1380. Conservation treatment on it began in 1987 and was finally completed in 1995.

Thumbnail of Review: Conservation of Leathercraft and Related Objects

Review: Conservation of Leathercraft and Related Objects

Interim Meetings of the Working Group occur once in every three years, allowing sufficient time to elapse in order to gather together a variety of papers, covering nearly every aspect of leather and its conservation.

Thumbnail of Twenty First Century Conservation

Twenty First Century Conservation

Both contemporary artefacts and contemporary ideas about display pose conservation problems. Modern materials are not necessarily designed for long life and, by definition, have not had a long period of testing in service.

Thumbnail of Accreditation for Conservators - What Do We Think?

Accreditation for Conservators - What Do We Think?

At the end of October 1998, the United Kingdom Institute for Conservation invited its members to apply for Fast-Track Accreditation. &#160

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Cristobal Balenciaga: The Work of the Master

Cristobal Balenciaga: The Work of the Master

In-depth study of the innovative fashion designer's sources of inspiration and the roots of his success

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Event - Positive Negative process in Photography

Thu 08 March 2012 13:00

GALLERY TALK: Hear conservator Simon Fleury as he tells the story of the positive negative process; touching on its evolution, the relationship of positive print to negative, materials and techniques and the conservation/preservation of photographic negatives.

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