The V&A houses the greatest and most comprehensive collection of Ceramics in the world. The collection is particularly rich in Ceramics from Asia, the Middle East and Europe.
The Formation of the Ceramics Collections
The collections of the Victoria and Albert Museum are, in the fields of post-Medieval European, Middle Eastern and East Asian ceramics, now the most extensive and comprehen…
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Toshiba Japanese Ceramics Resident, Keiko Masumoto
Keiko Masumoto is Toshiba Japanese Ceramics Resident at the V&A, April - September 2013
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Let Them Eat Clay!
Among the less familiar objects in the new Ceramics Galleries, perhaps the most curious and engaging is a group of polished clay vessels known as búcaros, which were made i…
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Accidental Masterpiece
This stoneware bowl by the English potter Bernard Leach was given to the V&A by Lt-Colonel K. Dingwall, a generous supporter of the Museum, in 1926.
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Shipwrecked Ceramics
Asian ceramics have been the subject of international and inter-Asian trade for over 1000 years, the bulk of which were transported by ship
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Real or Fake?
A complete and completely 'genuine' dish of medieval Iranian pottery turns out not to be as straightforward an object as it first appears.
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Ceramics Resident: Keith Harrison
Keith Harrison was Ceramics Resident at the V&A, October 2012 – March 2013.
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Ceramics Resident: Michelle Erickson
Michelle Erickson was Ceramics Resident: World Class Maker at the V&A, July–September 2012.
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Ceramics Resident: Louisa Taylor
Louisa Taylor was Ceramics Resident at the V&A, January–July 2012.
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Ceramics Resident: Clare Twomey
Clare Twomey was Ceramics Resident at the V&A, July 2011–January 2012.
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Ceramics Resident: Phoebe Cummings
Phoebe Cummings was Ceramics Resident at the V&A, June–December 2010.
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Chinese Export Ceramics

This beautiful book tells the story of Chinese ceramics exported to Europe, the Middle East and South-east Asia through the V&A's extensive and ce…
Buy nowEvent - Deception: Ceramics & Imitation
Thu 06 June 2013 13:00

GALLERY TALK: From functional tablewares masquerading as fruit or vegetables to imitations of prized materials, potters have always created objects intended to delight and surprise by deceiving the eye.
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