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Christ between St Peter & St Paul

Christ between Sts Peter and Paul, stained glass panel, designed by John Piper, made by Patrick Reyntiens, 1958. Museum no.C.77-1981

Christ between Sts Peter and Paul, stained glass panel, designed by John Piper, made by Patrick Reyntiens, 1958. Museum no.C.77-1981. John Piper, already established as a painter and illustrator, formed a creative partnership with the young Patrick Reyntiens in 1952. Reyntiens translated Piper's distinctive style into numerous glazing schemes, including the great Baptistery window at Coventry Cathedral.

John Piper (1903-1992) and Patrick Reyntiens (born 1925) revolutionised architectural glass in Britain, opening up new possibilities for the artists who followed. They were introduced by the poet John Betjeman and worked in partnership from 1950. Piper had studied art at the Royal College of Art in London and was now a renowned artist, designer and author. Reyntiens had studied fine art at Edinburgh College of Art and had worked with the eminent stained glass artist J.E. Nuttgens.

John Piper often wrote about his work in stained glass. Instead of making a stained glass design, he thought like a painter, creating, in one go, a light-filled architectural unit. In Reyntiens he found his 'creative translator', a brilliant artistic collaborator who could interpret his designs in the special medium of glass.

Patrick Reyntiens is a great exponent of modern art in ecclesiastical spaces. He has written about the development of artistic displays in 20th-century religious institutions in England and mainland Europe. He has encouraged people to break away from conservative treatments of windows in churches.

Although the subject of this window is traditional, it is not conceived as a simple figurative display. The image of the seated Christ forms the centre of the architectural void. The glass then expands out from this core as light radiates through glass from its entry point, and bathes the architectural interior with its light and colour.

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Public Libraries by Paul Peter Piech (Giclee Print)||EVAEX

Public Libraries by Paul Peter Piech (Giclee Print)||EVAEX

Originally printed in 1979 © Estate of Paul Peter Piech 2013 Reproduced by the V&A to accompany a new publication of the work of Paul Peter …

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International Training Course

The Victoria and Albert Museum welcomes applications for ‘Creating Innovative Learning Programmes’, its new one week intensive course. This is a unique training opportunity for museum professionals from overseas who are interested in attracting and programming for a range of museum audiences.

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Event - The Brompton Oratory - Tour 1

Thu 15 October 2015 14:00–16:00

The Brompton Oratory, as it is popularly known, was built for The Congregation of The Oratory of St Philip Neri over four years from 1880. Its nave exceeds even that of St Paul’s Cathedral, making it the second largest Catholic church in London. The Oratory Fathers stipulated that it must be unashamedly Italianate in order to bring St Philip’s romanità to nineteenth-century London.

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