V&A Illustration Awards 2010

2010 Student Runner-Up

Frank Laws, 'Pink Towel', acrylic and ink on paper.

Frank Laws, 'Pink Towel', acrylic and ink on paper.

Frank Laws 'Ongoing Project...'

Central Saint Martins College of Art and Design, London

Frank Laws graduated from Norwich School of Art and Design in 2007 and is currently studying for an MA in Illustration at Central Saint Martins. He likes to work in watercolour paints, drawing ink and acrylic on stretched watercolour paper, applying layer upon layer to obtain richness and depth. He also uses photographic reference sources to help capture his thoughts on chosen subjects: 'I like to involve the viewer in the world I portray, making them become the observer and create a sense of human life and activity without the need to show the human form.'

Judges of the Student Award, Graham Rawle and Slawa Harasymowicz said, 'Frank Laws' compelling paintings explore the anonymity of urban living through the prolonged meticulous study of neighbouring dwellings. Despite the relative proximity of the buildings and the intensity of his inquiry, clues about their occupants remain eerily scant. The blank vacancy of the rooms from which they're seen invites us to place ourselves as the viewer looking out onto his world. With a subject matter and working method that is very much his own, Frank Laws creates intensely personal images that are honest, intriguing and quietly unsettling.'

Click on the images below to view more of Law's winning work:

Frank Laws, 'The Watcher', acrylic and ink on paper.

Frank Laws, 'The Watcher', acrylic and ink on paper.

Frank Laws, 'Labour', acrylic and ink on paper.

Frank Laws, 'Labour', acrylic and ink on paper.

2010 Student Winner

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

Hanshen Gu 'How Does Transport Destroy My Life?'

Central Saint Martins College of Art and Design, London
Hanshen Gu lets his work develop in an organic way and takes delight in the random elements he produces. He tries to draw as much as possible, taking his sketchbook with him when out and about. Holding a degree in Graphic Design, he is currently studying for an MA in Communication Design at Central Saint Martins.

He explores the uneasy but dependent relationship we have with the machines we use to transport us everyday. 'Most parts of my work are chosen from my sketchbook. There are many illustrations in it relating to public transport … I try to express my feelings and emotions when I spend too much time on it.'

Student Award judges Graham Rawle and Slawa Harasymowicz said:

'Hanshen Gu's extraordinary images are imaginatively conceived and skillfully executed. His free and expansive thinking contrasts wonderfully with his compulsive attention to detail. Gu's highly individual unconscious thoughts seem to be let loose on the paper, ultimately fixed in position through strong compositional choices and his predilection for obsessive and mesmerizing pattern. He makes idiosyncratic personal statements through his clever and unexpected interplay between image and text. The consistently high standard throughout his prolific output of work is astounding.'

Click on the images below to view more of Gu's winning work:

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

Hanshen Gu. How Does Transport Destroy My Life? Collage with mixed media.

2010 Book Cover Award Winner

Marion Deuchars. Cover illustration to 'Burmese Days', author George Orwell, published by Penguin Books, London, 2009.

Marion Deuchars. Cover illustration to 'Burmese Days', author George Orwell, published by Penguin Books, London, 2009.

Marion Deuchars. Cover to 'Burmese Days'

Author George Orwell. Penguin Books, London, 2009
Marion Deuchars has produced a range of cover illustrations for Penguin's recently republished series of Orwell titles. Her cover design for Burmese Days particularly impresses with its powerful composition and vibrant use of contrasting colours. She found the Cornell University Library: Windows on the Past digital archive provided a treasure trove of source material to achieve the photographic feel desired for the series: 'The image of the Madame jumped out…she was almost too perfect with her comical cigar, decadent and confident appearance'.

The artist creates the cover's identity through a combination of collage and hand-painted elements. The large, imposing panel of predesigned typography that runs through the whole Penguin Modern Classics series is cleverly interwoven into the overall cover design. The cover also contains delicate elements such as the photo printed in pink to create the feel of a Burmese sunset. 

Deuchars has worked with major design and advertising agencies worldwide. Clients include: Royal Mail, JP Morgan, Adidas, the Guardian, the Barbican, the Design Museum, Volkswagen, British Airways, Formula One and Harrods.

2010 Editorial Award Winner

Matthew Richardson. Illustration to 'Phantom Space Storms’, author Jon Cartwright, published in New Scientist, 11 December 2009.

Matthew Richardson. Illustration to 'Phantom Space Storms’, author Jon Cartwright, published in New Scientist, 11 December 2009.

Matthew Richardson. Illustration to 'Phantom Space Storms'

Author Jon Cartright in New Scientist. Published by Reed Business Information, 3 October 2009
The winning Editorial category illustration accompanies a New Scientist article which explores the effects that storms in outer space have on the weather patterns within the Earth's atmosphere. The inspiring use of collage drew praise from the judges. They also commented on the powerful dynamics and unusual use of poetic imagery for an illustration found within a scientific journal.

Matthew Richardson studied Graphic Design at Middlesex University, Illustration at Central Saint Martins and more recently gained an MA in Fine Art at UWIC, Cardiff. He exhibits his work nationally and has won several awards from the Association of Illustrators. The artist is regularly asked to contribute editorial illustrations to the New Scientist for scientific concepts. He looks for an 'initial punch' within the subject matter but then concentrates on a thorough exploration into the hidden depths of the article. The idea for this piece draws on the vision of a mythical Greek god wreaking havoc on the Earth.

2010 Awards Ceremony

The V&A Illustration Awards prize-giving ceremony took place in the Dorothy and Michael Hintze Sculpture Galleries on 21 June 2010.

Prizes were presented by Moira Gemmill, V&A Director of Design; Ian Blatchford, Deputy Director of the V&A and the two student judges, writer and collage artist Graham Rawle, and Slawa Harasymowicz, a Krakow born, London based artist and previous V&A Illustration Awards winner. An address was given by Jack Ladeveze from the Enid Linder Foundation, sponsors of the Awards.

Click on the images below to see larger versions of the award ceremony photographs.

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