Closed Exhibition – Sky Arts Ignition: Memory Palace
Sky Arts Ignition: Memory Palace - About the Exhibition
Video: Inspiration & Process
In these videos a selection of designers and illustrators talk about the process of creating their commission for the exhibition and how their work was inspired by the passage of text they were given from the story.
Peter Bil'ak's installation is a play on perspective. Working with the complete section of text he was given to work on, he created a large wall of reversed type. The sentence is illegible until the visitor passes by the work and looks back, at which point the text becomes readable and its meaning is revealed.
Hansje van Halem
Hansje van Halem responded to a passage about misremembered London underground stations that the prisoner likens to gemstones. She collaborated with the J.C. Herman Pottery to create thirty-two hand-painted floor tiles. Each unique gem shaped tile represents one of the stations the prisoner was tasked to remember.
Erik Kessels responded to two memory fragments that recall advertisting and recycling, creating a giant palace made from recycled advertising leaflets. The multiple layers of the structure, made up of thousands of partially legible messages act as both a comment on the overarching story and our present reality where we are overwhelmed by colours, shapes, and images in a constant onslaught of designed materials.
Na Kim worked in response to a jumbled memory fragment outlining the laws of entropy. She created a large advertising billboard filled with abstract graphic symbols of organising tools that references a sentence where mankind is instructed to measure the earth.
Frank Laws created a series of intricate paintings that form an installation of the prisoner's cell. The scenes depicted inside the cell are the Prisoner's memories of London buildings. The narrow viewing points evoke the claustrophobia induced by spending day in day out in a confined space.
Henning Wagenbreth's installation responds to the prisoner's definition of a museum and is made up of hundreds of painstakingly painted wooden blocks he calls Tobot Bloks. Piled as a brightly coloured tower, they feature words and images. The installation makes reference to the construction and deconstruction of culture and also acts as a metaphor for how language and meaning is constructed.