I apologise for the pun at the head of this page! I also apologise for the lateness of this first posting of 2008. However if we were following the old Florentine calendar I’d actually be rather early. I have been reliably informed that in Renaissance Florence the New Year was celebrated on the 25th of March.
Hopefully those of you who have read several of these blog postings will need no convincing that traces of our medieval and Renaissance heritage are all around us. I’m sure everyone has there own rituals over the Christmas and New Year period. Mine include going to see the Boxing Day football match if the fixture list has been kind enough to produce a home game. This year I shared this rite with over 40,000 other Sunderland supporters. Sunderland Association Football Club has a history that stretches back a little over a hundred years, a longer history than many clubs, but of course not long enough to have a direct connection with the north-east’s medieval past. However there is a link to the art of the Middle Ages through the heraldic device that the club has adopted. The example illustrated here is displayed above the ticket office. It is also embroidered onto the shirts worn by the players and the supporters. It is even printed onto the plastic cups.
The art of heraldry originated in medieval Europe and has endured ever since. You don’t have to look hard to find numerous examples of contemporary usage. Just check the coins in your pocket in you don’t believe me. There are of course countless examples of heraldic devices on objects in the V&A’s collections and I’ve illustrated this blog entry with one of my favourites. Sometimes a coat-of-arms may indicate the identity of the owner of the object, on other occasions it may represent a display of allegiance. The Valence casket, for example, features the royal arms of England but it wasn’t made for or owned by a member of the royal family. Click on the image to find out more about the object. Heraldry was, and still is, intimately linked to personal identity, belonging and status.
Now that I’ve justified the terrible title for this blog posting I can move on to consider the next twelve months for the Medieval and Renaissance Galleries Project. This year promises to be a very busy and productive one for the project team. The gallery spaces are ready for construction work to begin. It is incredibly exciting, and a little daunting, to think of how much progress will have been made by the time we’re celebrating the next New Year on the 1 January 2009.