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Balenciaga moire full back jacket, fashion illustration

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Balenciaga three-quarter sleeves orange moire full back jacket, fashion illustration of haute couture fashions on a catwalk, by Francis Marshall (1901-80). Pencil drawing. Paris, France, 1951.


  • UK standard delivery £5 (FREE on orders £35 and over*)
  • Europe standard delivery £20
  • Rest of the world standard delivery £30

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We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.


Acid free, extra thick smooth white mount board with a white core.


Please note that a copyright line is included under the image.


Clear acrylic. We use clear acrylic glazing for safety and longevity.


Finished and framed by hand in Sussex by skilled craftsmen using responsibly sourced solid wood mouldings. The finished product has a taped back and is supplied ready to hang.


Each print is made-to-order and carefully packaged to ensure safe transportation.

Prints and frames handmade in England

V&A Custom Prints are high quality art prints of images from across the V&A collections. From Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A.

The process is simple: select an image, choose your preferred size and frame and then place your order.

Each artwork is giclée printed using archival quality inks. Made in England on the Sussex coast, our prints are hand finished and framed by skilled craftsmen using responsibly sourced solid wood mouldings and carefully packaged and delivered directly to your door.

About the artist

Francis Marshall

Francis Marshall (1901-80) served as a midshipman during the First World War. Following his discharge in 1920 he spent three years at the Slade School of Fine Art. In 1928 he met Condé Montrose Nast and obtained work as an illustrator for British Vogue. His great interests were ballet, fashion, horses, London life, music, outdoor life, theatre and travel. His sketches in these subject areas were well suited to Vogue's publications and the 'Marshall girl', based on his wife Margaret, became a well-known figure in Vogue's illustrations. He continued as a freelance artist until his death in 1980.