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- Details
- Delivery & Returns
- About custom prints
DELIVERY
- UK standard delivery £5
(FREE on orders £60 and over*)
(3 – 6 working days) - Europe standard delivery £20
- Rest of the world standard delivery £30
RETURNS
If you are not completely satisfied with your item you may return it within 28 days for a full refund.
PAPER:
We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.
MOUNT:
Acid free, extra thick smooth white mount board with a white core.
COPYRIGHT:
Please note that a copyright line is included under the image.
GLAZING:
Clear acrylic. We use clear acrylic glazing for safety and longevity.
FRAMING:
Finished and framed by hand in Sussex by skilled craftsmen using responsibly sourced solid wood mouldings. The finished product has a taped back and is supplied ready to hang.
PACKAGING:
Each print is made-to-order and carefully packaged to ensure safe transportation.
Prints and frames handmade in England
V&A Custom Prints are high quality art prints of images from across the V&A collections. From Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A. The process is simple: select an image, choose your preferred size and frame and then place your order. Each artwork is giclée printed using archival quality inks. Made in England on the Sussex coast, our prints are hand finished and framed by skilled craftsmen using responsibly sourced solid wood mouldings and carefully packaged and delivered directly to your door.
Georges Barbier
Georges Barbier was one of the great French illustrators of the early 20th century. He was born in Nantes, France in 1882. He studied at the Ecole des Beaux Arts in Paris from 1908 to 1910. His companions included his cousin Pierre Brissaud, Bernard Boutet de Monvel, Jean Besnard, Paul Iribe, Georges Lepape and Charles Martin, all of whom were to become world renowned fashion illustrators. In that year several important new Paris fashion magazines began to be published, Gazette du Bon Ton, Le Journal des Dames et des Modes, Feuillets d'Art, Femina and Vogue. He became the chief illustrator for many of these magazines. The fashion plates Barbier drew for Bon Ton were almost exclusively for the house of Worth. They were prepared 6 to 12 months ahead of the collections and make one of the most complete couture series of the period.