CUSTOM PRINT

In a Shoreham Garden

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Artist: Samuel Palmer
In a Shoreham Garden, by Samuel Palmer (1805-81). Watercolour. England, 1830s. This watercolour has a magical, powerful and dreamlike quality. Palmer painted it during his ‘Shoreham Period’. He stayed in Waterhouse, Shoreham, a village in the English county of Kent, from 1826 until about 1834. This print shows an apple tree is in blossom in a walled garden and beyond the tree is a woman in a red robe. The idea for this drawing may have come to Palmer in his own garden at Water House, Shoreham.

DELIVERY

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RETURNS

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PAPER:

We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork.

MOUNT:

Acid free, extra thick smooth white mount board with a white core.

COPYRIGHT:

Please note that a copyright line is included under the image.

GLAZING:

Clear acrylic. We use clear acrylic glazing for safety and longevity.

FRAMING:

Finished and framed by hand in Sussex by skilled craftsmen using responsibly sourced solid wood mouldings. The finished product has a taped back and is supplied ready to hang.

PACKAGING:

Each print is made-to-order and carefully packaged to ensure safe transportation.

Prints and frames handmade in England

V&A Custom Prints are high quality art prints of images from across the V&A collections. From Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A.

The process is simple: select an image, choose your preferred size and frame and then place your order.

Each artwork is giclée printed using archival quality inks. Made in England on the Sussex coast, our prints are hand finished and framed by skilled craftsmen using responsibly sourced solid wood mouldings and carefully packaged and delivered directly to your door.

About the artist

Samuel Palmer

Samuel Palmer (1805-1881) taught himself to paint. He greatly admired the work of the artist and poet William Blake (1757-1827). He especially admired Blake’s visionary approach and his lack of respect for conventional watercolour techniques.