The Artichoke
Paper size
Please select-
Small
25 x 30 cm
-
Medium
34 x 40 cm
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Large
50 x 60 cm
Frame type
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Black
-
White -
Natural -
Unframed
- 1.5 cm black stained ash box frame - stained and waxed
- 280gsm smooth matte fine art paper
- cm white mount - acid free, extra thick smooth white mount board with a white core
- Printed image size:
- Total framed size:
- Total size:
- Details
- About custom prints
- Delivery
- Returns
The Artichoke (detail)
Crewel wools on linen by William Morris (1834-96)
England, 1877-1900
The Artichoke was designed by William Morris as an embroidered wall hanging for Smeaton Manor, Northallerton, in North Yorkshire.
Embroidery was the first textile technique that Morris adopted for commercial use. He encouraged the use of fine needlework at a time when coarse canvas work kits were universally popular. Morris & Co.'s designs ranged from small cushion covers that could be made at home, to large, specially commissioned hangings, such as the design featuring this detail.
Custom printed on 280gsm smooth matte fine art paper.
From our gallery walls to yours
High quality art prints of images from across the V&A collections. Spanning Japanese woodblock prints to book illustration, textile designs and photography this collection of prints offers a glimpse into the rich and diverse nature of the V&A.
Made in England on the Sussex coast by leading print producers King & McGaw, our prints are hand finished and framed by skilled craftsmen using responsibly sourced materials, carefully packaged and delivered directly to your door.
The process is simple:
1. Select an image
2. Choose your preferred size and frame
3. Place your order!
Additional details
We use fine art paper sourced from UK paper mills for our prints. The paper type has been chosen to best suit the original artwork, selected among one of the following:
• 300gsm textured fine art paper for paintings and illustrations;
• Semi-gloss 250gsm premium lustre photo satin paper for photographic reproductions;
• 280gsm smooth matte fine art paper for images of objects.
Each artwork is giclée printed using archival quality inks.
Acid free, extra thick smooth white mount board with a white core.
We use 90% UV-protected acrylic glazing for safety and longevity. Cast acrylic is a high-quality material, offering many benefits including 92% optical clarity. It protects prints from light damage and bleaching and is also shatter-resistant, making it much safer than glass in your home or workplace, and it is lighter weight for easier, safer hanging.
Framed by hand in Sussex by skilled craftsmen using responsibly sourced materials, every frame is made to order with solid ash and is supplied ready to hang. In every framed order, we include the right strap hangers, metal D-rings, and wall plugs so you can decorate your walls the moment your prints arrive.
The finished product has a taped eco-friendly backing board, made with 61% recycled content and 100% recyclable.
Each print is carefully packaged to ensure safe transportation, using 100% recyclable materials.
Please note that a copyright line is included under the image.
Each print is made to order and dispatched separately to other V&A Shop products, for GB delivery only. Please be sure to specify a delivery address where someone can sign for the parcel. When buying Custom Prints and other shop products together, please note the standard delivery charge applies in addition to the below. However, delivery is free for all GB orders over £60. See our Delivery and Returns page for more detail.
Each print is made to order, and as such, not eligible for return unless it arrives damaged, faulty or not as described. Please contact us if there is a problem with your order. See our Delivery and Returns page for more detail.
William Morris
Textile designer, writer and social pioneer, William Morris and his work have long been associated with the V&A. In 1865, his company was commissioned to design the West Dining Room at the museum, which features early examples of a number of the organic patterns that would make his name. Born in Walthamstow in 1836, Morris was captivated by nature from childhood, spending much of his time exploring Epping Forest and the surrounding countryside. These themes informed much of his textile design, and his mastery of pattern ensured an enduring appeal.