Chinese Iconography Thesaurus (CIT)

A taxonomic vehicle to explore the Chinese conceptual world

About the Project

The CIT brings together sinology, art history and information studies to create the first thesaurus of Chinese iconography. CIT will be a valuable research tool that will enhance the accessibility and understanding of Chinese art. Launched in 2016 with a three-year research grant from DCMS, UK.

Context

Traditionally considered a methodology rooted in European art history, iconography has been historically employed to index and access images related to Euro-American art. Because of the lack of alternative models for documenting non-western artefacts, Chinese art objects housed in European and North American collections have often been catalogued according to Eurocentric classifications. The CIT presents a unique opportunity to create an alternative classification scheme rooted in the specificity of Chinese visual culture and foster systematic comparison between Chinese and European art.

Aim

CIT aims to create an indexing standard that will facilitate access and inter-operability of Chinese digital images across collections. It will provide professionals in museums, libraries and image archives with a controlled vocabulary that will improve the quality of cataloguing practices for Chinese collections. An online database of Chinese art images indexed with the CIT terminology will deliver a dynamic and open-ended research tool that will enable a wide spectrum of users to explore the contents of, and connections between, individual works of art.

Outcomes

The CIT terminology will be released in autumn 2019 as an open access and downloadable document, along with the image database that will contain objects from the V&A in London as well as The Metropolitan Museum in New York and the Palace Museum in Taipei and will feature browsing and search functions. The outcomes will be made available through the V&A website and a dedicated website hosted by Brill Academic Publishers. The release of CIT terminology and its image database will be accompanied by an international conference organised in collaboration with the OCAT Institute in Beijing.

The Team
Dr Hongxing Zhang
CIT Chief Editor & Project Director

As Project Director Hongxing Zhang spearheads the editorial team of CIT and the development of the initiative. He is a senior curator of the Chinese collections at the V&A, where he has been the lead curator of several headline exhibitions such as Mas ... see more

Jin Gao
CIT Project Coordinator & Data Standard Editor

As a doctoral student at the UCL Centre for Digital Humanities, Jin Gao is working to discover the intellectual structure and social community of Digital Humanities, and her interests lie primarily in the citation and social network analysis. In 2014, ... see more

Dr Yi-hsin Lin
CIT Data Standard Editor

Before joining the CIT Project, Yi-hsin Lin had been working as a Research Assistant at the V&A and at the British Museum for exhibitions focused on Chinese painting, and at Academia Sinica in Taipei as Research Assistant for digital archives. After s ... see more

Yangruxin Liu
CIT Editing Assistant (2017 – 2018)

Currently Yangruxin is a PhD candidate in Sinology at SOAS, working on the transmission and reception of Sima Qian's (ca. 145-ca. 86 BC) Shiji (The Scribes' Records) during the Northern Song Dynasty (960-1127). She is also a Senior Teaching Fellow in ... see more

Francesca Girelli
CIT Project Coordinator (2016 – 2018)

Francesca Girelli read her BA and MA in Art History at Ca’ Foscari University of Venice, and obtained a MA in Cultural Management from the International University of Catalunya, Barcelona. Over the past ten years she has worked for auction houses, mus ... see more

V&A Steering Group
Marion Crick
- Head of Collections Management
Anna Jackson
- Keeper of the Asian Department
Kati Price
- Head of Digital Media & Publishing
Jevgenija Ravcova
- International Initiatives Coordinator
Events

The conference 'Changing Frontiers: Iconographic Archives in the Past and Present' looks deeply into the critical issues central to historical and contemporary practices in Europe and North America in building image archives for iconographic studies.