A taxonomic vehicle to explore the Chinese visual culture
About the Project
The CIT combines sinology, art history and information studies to create the first thesaurus of Chinese iconography, a valuable research tool enhancing the accessibility and understanding of Chinese art. Launched with a grant from DCMS and subsequent sponsorship from the Bei Shan Tang Foundation.
Traditionally considered a methodology rooted in European art history, iconography has been historically employed to index and access images related to Euro-American art. Because of the lack of alternative models for documenting non-western artefacts, Chinese art objects housed in European and North American collections have often been catalogued according to Eurocentric classifications. The CIT presents a unique opportunity to create an alternative classification scheme rooted in the specificity of Chinese visual culture and foster systematic comparison between Chinese and European art.
CIT aims to create an indexing standard that will facilitate access and inter-operability of Chinese digital images across collections. It will provide professionals in museums, libraries and image archives with a controlled vocabulary that will improve the quality of cataloguing practices for Chinese collections. An online database of Chinese art images indexed with the CIT terminology will deliver a dynamic and open-ended research tool that will enable a wide spectrum of users to explore the contents of, and connections between, individual works of art.
The CIT terminology was released in autumn 2019 as an open access and downloadable document, along with the image database that contains objects from the V&A in London as well as The Metropolitan Museum in New York and the Palace Museum in Taipei and features browsing and search functions. The outcomes are made available through the V&A website and a dedicated website hosted by Brill Academic Publishers. The release of CIT terminology and its image database were accompanied by an international conference organised in collaboration with the OCAT Institute in Beijing.
As Project Director Hongxing Zhang spearheads the editorial team of CIT and the development of the initiative. He is a senior curator of the Chinese collections at the V&A, where he has been the lead curator of several headline exhibitions such as Mas ... see more
Jin Gao completed her PhD at the UCL Centre for Digital Humanities, and she is working to discover the intellectual and social structures of the Digital Humanities communities. Her research interests lie primarily in the bibliometric and social networ ... see more
Before joining the CIT Project, Yi-hsin Lin had been working as a Research Assistant at the V&A and at the British Museum for exhibitions focused on Chinese painting, and at Academia Sinica in Taipei as Research Assistant for digital archives. After s ... see more
Currently Yangruxin is a PhD candidate in Sinology at SOAS, working on the transmission and reception of Sima Qian's (ca. 145-ca. 86 BC) Shiji (The Scribes' Records) during the Northern Song Dynasty (960-1127). She is also a Senior Teaching Fellow in ... see more
Francesca Girelli read her BA and MA in Art History at Ca’ Foscari University of Venice, and obtained a MA in Cultural Management from the International University of Catalunya, Barcelona. Over the past ten years she has worked for auction houses, mus ... see more
CIT is chosen by the Getty Foundation and the University of Pittsburgh to join a two-year Network Analysis and Digital Art History Workshop. The NA+DAH Workshop brings together art historians, network scientists, and digital humanists.
The conference 'Changing Frontiers: Iconographic Archives in the Past and Present' looks deeply into the critical issues central to historical and contemporary practices in Europe and North America in building image archives for iconographic studies.