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American Photographs
In 1938, Walker Evans published American Photographs, capturing a country in flux. This display uses his title to examine how photography has documented and shaped the United States.
In 1938, Walker Evans published American Photographs, capturing a country in flux. This display uses his title to examine how photography has documented and shaped the United States.
The V&A's collection of photography from the United States – one of the largest outside North America – reveals the breadth of the country's photographic traditions and the central role of image-making in American life.
Display highlights
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'Orchard #27C, 2022', archival pigment print, by Mark Ruwedel, 2022, Los Angeles, United States -
'Fragment IV General Robert E. Lee Monument, New Orleans, Louisiana', photograph, by An-My Lê, 2016, New Orleans, US -
'Central Park (couple)', gelatin silver print, by Tod Papageorge, 1978, United States -
‘Uncle Ephraim’, gelatin bromide print on Gevaluxe paper, by Doris Ulmann, early 20th century, United States -
'Man in Hayfield', by Doris Ulmann, early 20th century. United States -
'From the Mystic Springs Trail', gum platinum print, by Alvin Langdon Coburn, 1911, Grand Canyon, United States -
'Citizen in Downtown Havana', gelatin-silver print, by Walker Evans, 1933, Havana, Cuba -
'Untitled #199', C-type print, by Cindy Sherman, 1989, United States -
Untitled, photograph, by Meatyard Ralph Eugene, 1963, United States -
Untitled, photograph, by Meatyard Ralph Eugene, 1964, United States -
'Irrigación [Irrigation]’, film still by Theresa Margolles, 2010, Mexico
Features
Photographing the American South
Photographing the American South
What all these photographers had in common was a desire to understand the American South – its people, its places, its histories, and possible futures
Body, land, and lens: the photography of Laura Aguilar
Body, land, and lens: the photography of Laura Aguilar
Powerful and provocative – one of the most important artists of her generation
Simulating reality: photography, war and technology by Lisa Barnard
Simulating reality: photography, war and technology by Lisa Barnard
Photography bluring the lines between fiction and reality
Feminist perspectives in American photographs
Feminist perspectives in American photographs
From the fight for suffrage in the 19th century to today’s intersectional campaigns for gender justice
Header image:
‘La femme, la photo et Pentax', C-type print, by Anne Collier, 2013, New York, United States. Museum no. PH.444-2024. Purchase funded by the Photographs Acquisition Group. © Anne Collier