About the Filthy Lucre installation

Produced as part of Filthy Lucre: Whistler's Peacock Room Reimagined

Opening on Saturday, 25 January 2020

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'Filthy Lucre' is an immersive installation by contemporary American artist Darren Waterston, presenting a detailed reimagining of James Abbott McNeill Whistler's famed Peacock Room – a sumptuous 19th-century dining room once housed just a stone's throw away from the V&A, and now installed at the Freer Sackler Gallery, Smithsonian Institution in Washington D.C.

James McNeill Whistler's Peacock Room

The design of the original Peacock Room interior was famously created by Whistler without the knowledge of his commissioner, his friend and patron, Frederick Leyland. Whistler was initially invited to consult on the room's colour scheme, but proceeded to redesign the entire room whilst Leyland was away from London. Fuelled by their clashing personalities, the argument was splashed across London's society tabloids, turning the once great friends into enemies.

James Abbott McNeill Whistler, 'Peacock Room'. Freer Gallery of Art, Smithsonian Institution, Washington, D.C.: Gift of Charles Lang Freer, F1904.61

Filthy Lucre by Darren Waterston

Waterston's installation is inspired by the tension between art and money, ego and patronage. Filthy Lucre faithfully recreates each of the Peacock Room's individual elements with a twist, drawing parallels between the economic inequality of the Victorian era and today. Replicating almost every detail of Whistler's masterpiece, Waterston transforms the room into an uneasy experience of destruction and twisted excess, revealing a magnificent ruin crumbling under the weight of material decadence and the egos of those involved in its creation.

Darren Waterston, 'Filthy Lucre'. Photos by Amber Gray / @mz_amber_gray
Darren Waterston, 'Filthy Lucre'. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. Photo by Hutomo Wicaksono
James Abbott McNeill Whistler, 'Peacock Room'. Freer Gallery of Art, Smithsonian Institution, Washington, D.C.: Gift of Charles Lang Freer, F1904.61

The title Filthy Lucre is inspired by a vengeful caricature Whistler painted called The Gold Scab: Eruption in Frilthy Lucre, 1879, depicting Leyland as a hideous, grasping peacock, mocked for his miserliness and his unfashionable frilly shirts.

I set out to recreate Whistler's fabled Peacock Room in a state of decadent demolition – a space collapsing in on itself, heavy with its own excess and tumultuous history.

Darren Waterston

Created through extensive collaboration, Filthy Lucre demonstrates master craftsmanship to reimagine the luxurious wood panelling, ornate lighting pendants and stunning ceramics collection, as well as decorative wall art and a captivating central portrait that draws viewers into the room.

Darren Waterston, 'Filthy Lucre'. Photos by Amber Gray / @mz_amber_gray

This craftmanship draws parallels with the V&A's vast collections, encompassing interior design, decorative arts, painting and ceramics. On display for the first time in the UK, the installation also features supporting material and video content to further explore the fascinating history of this iconic room and reveal a behind-the-scenes look at Waterston's process. A soundscape by New York-based rockers BETTY enhances the installation experience, filling the space with muffled gossiping voices and a mournful cello.

Darren Waterston, 'Filthy Lucre'. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. Photo by Hutomo Wicaksono

Waterston's magisterial work evokes not only the gilded age of interior design but the biting wit and fragmented relationships of the protagonists; Whistler, Leyland and the original architect of the room, Thomas Jeckyll whose contribution was effectively obliterated by Whistler’s extravagant reworking. The Peacock Room has returned to South Kensington with a vengeance!

James Robinson, V&A Keeper of Sculpture, Metalwork, Ceramics and Glass

Darren Waterston's Filthy Lucre is on display at the V&A's Porter Gallery, South Kensington, 25 January – 3 May 2020. Entrance is free.

The installation was created by the artist in collaboration with MASS MoCA, North Adams, Massachusetts. Courtesy of DC Moore Gallery, New York.

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Background image: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. Photo by Hutomo Wicaksono